The British band Uncle Acid and the Deadbeats (also known simply as Uncle Acid) are one of the unquestionable leaders of the new psychedelic rock movement that has been gaining notoriousness in the past few years and have rapidly become a cult band. Dancing in a gray area between rock and metal, their sound evokes the darkest souls and forces them to reveal themselves.
With strong influences from the 60s and 70s rock, Uncle Acid tell stories about mass murders, vampires, and witches, all of them tainted with a modern twist.
The band is currently touring the U.S. in support of their latest album, The Night Creeper, released last year. A couple of days before their show in St. Petersburg on September 4th, we had the chance to talk to Kevin Starrs, founder of the band.
It was planned beforehand. I always wanted to have a band where there was a balance between light and dark so you will have the dark riffs and the dark lyrical content and mix it with very melodic vocal lines and harmonies. I always liked that sort of contrast. So the idea was there from the beginning, but it ended up turning heavier than what I actually planned in the beginning. The initial idea was more toward the power pop and it kind of went heavier and heavier, it was a natural thing.
Yes, pretty much. I didn’t have any income and I decided to invent my own job, being a musician. And that’s pretty much what I did, I started recording some of the songs that I had written and it just took off from there really.
I think it might have been “Vampire Circus” or “Witches Garden” but yes it all happened very quickly in that first album (Vol I.) anyway.
I guess a lot of films. If I watch a couple of good films that kind of gives me an idea and then I mix it with my own concepts and stories, things like that.
Not really, sometimes I will dream melodies and things like that and then I wake up and I forget them. It’s always a rush because the melodies that you dream about are the best melodies that have been invented ever so it’s always frustrating when you wake up and you can’t remember.
It was difficult because where I was living there were no other musicians, in Cambridge so I really had to head to London to try and find people which is, I think, similar to what Pink Floyd did, they started in Cambridge and then they moved to London to start their career. It was a similar thing with us. I eventually found everyone I needed in London.
Just be true to yourself, do whatever you think you need to do, and don’t try to jump into any bandwagon just because you think it is going to make you popular, just write the music that you have to write and then everything will come naturally. Follow your own path really.
Yeah, probably. It’s good that people want to buy something that they can really get into. The great thing about vinyl is that it is a full package. The artwork, and obviously the sound quality as well. It’s good that people went from mp3 to the complete opposite way into vinyl again.
Well, we originally did it for a compilation for a magazine and it turned out so good that we decided to use it as a B side for our own single. “Remember Tomorrow” is one of my favorite Maiden songs.
Not really, I’m so used to being away all the time. Maybe I feel distant from football, it’s hard to keep up with, and you miss the games when you are on the road, that can be quite difficult, but of course, with the internet, you can see the results but it’s not the same. That’s probably the only thing I really miss.
Just a lot of heavy, fuzzy rock music. It’s aggressive and dark and shadowy. It’s not your average rock show, there are no flashing lights, just people playing a lot of heavy music on stage and I think people enjoy it.
To listen to the entire interview please tune into Jolt Radio on Thursday 9/8 at 6 pm or find the audio on joltradio.org after that date.
FOLLOW UNCLE ACID